Thursday, December 27, 2007

Close Embrace


A lot of people say and teach close embrace as two persons hugging each other, like friends, lovers and family. That is probably the biggest misconception. Granted, there are many different ways to embrace in tango, and the embrace is changing and readjusting throughout the dance. If you watch a lot of youtube clips and pay attention to the best (or ex best) dancers' embraces, you will find similar characteristics.

This is the embrace that is taught by Javier and Andrea. Man, the leader, opens his chest, feels it expand grande but not to stick out his sternum; left palm faces his left ears, relaxes his shoulders and chest; tucks his navel in, tightens his abs and rib cage (requires works on your core); and breathe in your chest. Then he invites the woman to come to his embrace, by holding her right hand up and over without any tension of pulling, embrace her at the level of the bottom of her breasts line, as if he places her breast over his chest and lift/support them by natural expanding his chest.

The woman, the follower, comes to the man, places her chest over his, as if she hangs herself on his chest with hers; and her left arm places naturally over the man's shoulder or upper arm, sometimes her left palm presses in and upward to allow better connection with the man without weighing on him.

In this embrace, the contact and connection is on the chest and no other parts of the body. I find more freedom for both to move. And the woman gets much better sensation which I will talk about in "Don't wake her up". This is just the technical aspect of the embrace. It is just half of embrace.

A perfect embrace starts with the cabeceo, through the eyes, which also called windows of the hearts, of two persons. The man takes her right hand and invites her to the embrace. At this moment, he should show his confidence that he is the best of the floor and he could take care of her in the crowded pista and give her two wonderful minutes. The confidence is so strong that the others on the floor feel it too, so they will respect his space when he dances around.

It is when the woman feels the confidence in the man, she takes the last step towards him and allows him to embrace her. Then she completely surrenders into the embrace and waits for him to show her two blissful minutes.

"I can teach you how to dance, but I can't teach you embrace." Maestro Carlos told me once."...I am glad that you've found your own."

Shy, intimidated of dancing with one of the best, and nervous of making mistake or causing injury to her. Not until I put away those emotions and started envisioning myself as the best, did Andrea Misse tell Javier and me that the embrace was "Perfecto".

" keep this embrace. Don't lose it." Javier nodded at me.

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Afterword:

A man does not automatically embrace the woman. Instead, he takes her hand; invites her and waits for her acceptance. The woman takes the last step to allow the man to embrace her.


2 comments:

  1. He sounds like a really wonderful teacher. I like what you say about how natural it should be.

    It's easy for the man to overdo that turn of his hand towards his ear - I've danced with people who exaggerate this, and it's quite painful for me to have my wrist twisted forcibly in that direction for a long time.

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  2. Another way to describe it is like holding a violin (from a female friend of mine who studied with Alejandra Mantinan).

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